Feed the Kitty is an American country band with plenty of soul and Southern rock to boot. First formed during their college years in Arizona, Feed the Kitty relocated to L.A. in 2000, beginning a relentless campaign of live shows across the southwest. Now with European tours under their belts, Feed the Kitty has performed more than 2,000 lives hows, averaging 300 shows per year.
Considered one of the most versatile music aficionados to come out of Hawaii, Joseph Soul has been commanding crowds for well over 15 years. Highly touted as a nightclub DJ, his expertise spans more than the distance between two turntables. With his accomplishments as a producer, engineer, and songwriter widely recognized, it is no surprise that he currently earns a living doing just that.
A seven-time Na Hoku Hanohano award nominee (Hawai’s, Grammy sponsored music awards), Joseph Soul is no stranger to the Hawai`i music scene. With experience penning songs for Nesian N.I.N.E and Dani Waring, producing the smash hits, “Take You Higher” from Positive Motion and “Tell Me” by Tenelle, and mastering Maoli’s 2010 album “Rock Easy”, it should come as no shock that he wrote, produced, engineered, and mixed his first album almost entirely on his own (DJ Audissey – Overdue). He collaborates with both up-and-coming artists, as well as, seasoned veterans and is constantly searching for new talent to help break into the island music scene.
Ask 18 year old musician/singer/songwriter Andrew Bloom what THE most important motivating factor is in his life and he’ll look you straight in the eye with a great set of baby blues and say, “Well, it’s to play, it’s just. . .to play.”
Don’t be confused though. He does agree that the ultimate goal of the game is to become a star by topping the charts with a hit song, but until that happens, all he wants to do is play music! Oh–and not just in his living room for friends and family. Not even just for a panel of judges on a Reality T.V. competition American Idol. No, what Andrew means when he says “to play” is–to produce music for an audience of people in a concert hall or pub, to entertain, and to get paid for his efforts while doing it. For the record, that’s what he means!